We began the session with several
questions, many of them relating to the concept of truth:
1.
Would
it be useful to map out the text, basically?
2.
Foucault
suggests that “it is always possible one could speak the truth in a void”
(224). Is this possible and/or consistent with his philosophical project?
3.
Does
Foucault understand himself to be a “monster on the prowl,” in the sense that
he is speaking the truth, but not within the discursive framework of his time
(223-224)?
4.
How
does Foucault himself fit within his own definition of “the author”? Is
he an author, or fictional, as he suggests “authors” in fact are?
5.
What
is the relationship between the author-function and spoken language? Is
there a difference between the truth that can be found in written narratives,
and truth that is spoken?
6.
What
does it mean to say that “the theme of the founding subject permits us to elide
the reality of discourse” (227)?
7.
Foucault
talks about logophobia and logophilia (228-229), which is strange
since he rarely speaks of affect. How is this significant?
We then outlined a sketchy framework
of Foucault’s method in the lecture:
1.
Three
sets of procedures to regulate/control discourse:
a. External Exclusions
i. Prohibitions:
1.
Objects
2.
Rituals
3.
Expertise
ii. Divisions/rejections
1.
Oppositions
btw. reason/madness, e.g.
iii. Will to Truth
b. Internal Rules
i. Commentary
ii. Author
iii. Disciplines
c. Rarefaction among speaking subjects
i. Ritual
ii. Fellowships of discourse
iii. Doctrine
iv. Social appropriation of discourse
2.
Several
reinforcements of these regulations within modern philosophy
a. Indicts Cartesians,
phenomenologists, and Hegelianism
3.
Methodological
principles to counter discursive regulations:
a. Eventually yields two analytic
methods: critical and genealogical (critical here seems to mean archaeological)
4.
Ends
with hagiography of Hyppolite.
We then opened up into a broader
discussion of Foucault’s aims, especially concerning the phrase Will to Truth:
1.
What
does Will to Truth mean? Why is it a will to truth, not the production of
truth?
a. We then debated whether Foucault is
lamenting the production of truth in our modern discourse, and nostalgic for
its production in, for instance, ancient Greece.
2.
We
asked, finally, what the “goal” is in unearthing and explaining our modern Will
to Truth.
a. Two central themes emerged:
Foucault’s project could be seen as descriptive,
but also (or either) as an act.
That is, he could be read as describing the rules and regulations of discourse,
but also of trying to modify that discourse insofar as he describes it in his
archaeological manner.
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